The concept of developing 'the whole child' has been around for as long as education became a structured process. With globalization a new premium was placed on competition which resulted in targeted teaching content such as math, science, and reading. Resources for everything else declined and in some cases almost disappeared. Proponents of 'the whole child' movement claims that excellence in core subjects can be reached with an all-encompassing program uses the arts as medium to teach core subjects.
A wonderful program in Tuscon, AZ proves the point. In the program, different fine-arts techniques are used for students' academic development. At the Peter Howell Elementary School, Kindergarteners use instrumental music to develop auditory acuity; first-graders use opera to develop language acquisition; second-graders use dance to develop kinesthetic awareness; third-graders play the recorder to learn composition; fourth-graders play the violin to develop abstract reasoning; fifth- and sixth-graders compose, direct and stage original works to learn how to research, create and perform. By middle school, their learning becomes an integration of all previous experiences.
In an EdWeek article, ( http://www.edweek.org/tm/articles/2010/01/11/fineartsacademics ), the concepts of "Opening the Minds through the Arts" (OMA) program is explained. Says OMA Director, Joan Ashcraft, "The children go to middle school with such a heightened understanding of connections in the world," explains Ashcraft. "The teachers tell us that they have to redesign their classroom lessons because the children are challenging them and they have to elevate their work because the children are thinking more creatively."
Needless to say, when fine arts are infused with traditional lessons, teamwork and creativity are often byproducts. "Fine arts can stand all by itself, but when you take it and purposefully use it as a tool to help academic achievement, it really cements the concepts," says Howell principal and pianist Mary Ann Jackson. Whether acting, singing, dancing or drawing is used to reinforce lessons, the connections students draw are incomparable to textbook-style learning. Who would have thought?
Here is the kicker: Independent research firm WestEd Inc., has determined that students in the OMA program have higher AIMS and Stanford 9 test scores, regardless of ethnicity and socioeconomic backgrounds!
My guess is that the preparation, scheduling, and staffing will be offered as excuses not to replicate this living example of a successful program to develop the whole child. Those are poor excuses to excellence in teaching our children.
Michael Cordier
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